Thursday, February 27, 2014
Happy birthday to me! I didn't think of getting pictures till after 4:00, but we still had some good light. We've had some lovely sunny days.
Andy's not going for this "look at the camera" thing.
That bush is covered with buds (neighbor says it's a camellia), and one flower already! Spring is on the way!
Friday, February 14, 2014
We had a Relief Society activity making cards for nursing home residents, and I was asked to come up with some sample cards. And because I'm never one to let time constraints or sanity stand in the way of a crafty idea, I carved my own stamps and made up a bunch of these letter tiles for people to use. Anne Marie came over (she's my visiting teacher), and I put her to work. (It took us a few tries to figure out how to get a good print.) Playing with paper and paint is always fun. Doing it with a friend is even better.
Kate made her own valentines again, and I threw something together for Andy at the last minute. (Thanks to Melany for the idea!) It was a busy couple of days. Kate came down with a fever and had to miss her party, but I took her valentines in to her class.
Thursday, February 13, 2014
Monday, February 10, 2014
We got snow! While much of the rest of the country has been buried, we have been persistently snow-less. (We did get a little bit back in November.) We saw some pictures of the snow in Portland, and by Saturday night it had made it up to our area. Looked like about three inches total.
Kate was so excited. We have church at 9:00 this year, but she had about half an hour to play before getting ready. And of course I had to go out and get some pictures.
It started raining by that afternoon, and we were pretty much back to normal the next day. No school closure this time. Church was rather sparsely attended, though!
Sunday, February 09, 2014
After all the planning meetings and weeks of work it's time for the performance! My painting contract included two free tickets. Doug, who saw the entire Ring cycle in Seattle last summer, thought somebody else should have a turn, so I took Mary McGiffin for a girls' night out. (She was my on-the-spot babysitter a few times when schedules conflicted.) It was a freezing cold night and windy, but it was great fun and we were both super excited ("Oooh, we're going to the opera!")
Photo by Glib Smaga.
They put us right behind the orchestra at first, but Noel came by and said he would find us different seats, so then we got to move to the back where we could see better. The performance was great. Neither of us really knew anything about the story and we enjoyed watching it unfold. It's a lot like a Shakespeare play--love, disguises (no cross-dressing, in this one), humor, misunderstanding, drama--except that everything is sung, and it's all in Italian. (They did have English titles projected above the stage.) The performers were all fantastic, and wonderfully expressive. The guy who played Figaro was especially fun to watch.
I sent in a short bio, but it was slightly altered between my email and the playbill. What I said was "A mother of two and an aspiring muralist, she and her family recently moved into a home in University Place with many invitingly blank walls." The way it came out makes me sound like a graffiti artist.
Late night! I was feeling it the next day. (The Rialto is a gorgeous old theater, but those seats are not comfortable.) The performance ran almost three hours (including the intermission) and then we spent a while out in the lobby talking to JoLee and Patrick Watson of the multi-stake committee about the production of The Sound of Music that they're doing this summer. (Patrick says he has six different sets planned, so there will be tons of painting to do!)
I went back Sunday evening to get all the paint cleaned up and put away (I didn't want to leave my six reds in disposable Ziploc containers sitting around for somebody else to deal with). Everything came down a lot fast than it went up. I gave my storage closet key to Tony. He asked me "Aren't you coming back?" and I assured him that I would be happy to. This whole experience has been very cool. I love being able to create something and then see it used and appreciated.
Friday, February 07, 2014
I have been busy busy busy working on this for the past month--I got to do the set painting for Tacoma Opera's production of The Barber of Seville. It's been a really fantastic experience. Lots of work and lots of fun.
73 (and a half) hours of painting
probably about 5 hours (or more) of clean up
21 hours of travel time
numerous NPR podcasts
5 runs to Home Depot
and 20 almond-butter sandwiches.
The genesis of this was Tacoma Opera doing The Pirates of Penzance right after our church put it on last summer, and borrowing some of the pieces, including the rocks that I painted. They asked for my number and got in touch with me. (Would I like to do some painting for the opera? Heck yeah!) We had a meeting back in November and got started on the planning. I met Bill the set designer, who does amazing blueprint-style plans complete with architectural handwriting, Tony the master carpenter, and Kevin the technical director/assistant stage manager/glue that holds everything together.
Notes, plans, inspiration! (That's Bill's skyline and a Tomie dePaola illustration from Strega Nona.)
Most of the painting happened at the Urban Grace church downtown (just up the hill from the Rialto theater). They have a big storage closet there, and a little room on the side where I worked. Since we moved we're now a lot farther from downtown, so it's about a half-hour drive, and I had to work around my family's schedule, but for the most part it was pretty flexible. I just went in when after Doug got home, and took along some food and something to listen to. On Saturday mornings I also got to listen to the Tacoma Youth Symphony practicing, which was kind of fun.
The first thing I worked on was the city skyline backdrop. I had a copy of the plans and got to enlarge it onto the panels free-hand. (Which was fortunately not as difficult as I had feared, but did take a while!)
I probably spent more time on this than I really needed to.
Next, roof tiles. I had six 2'x8' panels to cover, and I mixed up six different colors.
I had picked up a large pointed round brush that turned out to be really good for doing these outlines. It still took me about half an hour to outline one panel, and I was bending over the whole time, so it was pretty hard on my back!
The rest of the pieces were ready to paint just a week before dress rehearsal. Kevin helped me with the base coat, which probably took about two days off my work time. We worked on these out in the big room (Urban Grace's Lower Temple). I was able to start messing around with my stucco finish effect before they were moved over to the theater, but didn't get a lot done.
Theater load-in was that Saturday. This was where it really got exciting. I enjoyed working by myself, but being on site with everyone else putting it all together was just very cool. Once the walls were secure I was able to continue putting on the stucco finish. (There were also a few things that needed another layer of base coat, and some last-minute additions that hadn't been painted at all, so there was plenty to keep me busy.)
(I took some of these with the camera on my little Samsung media player, but once I saw how they turned out I went back to lugging my big camera back and forth.)
Kevin puts up a roof panel.
More stuccoing. Lots of ladder work. I was starting to get a twinge in my leg from going up and down ladders.
Lisa Prina, who was Mabel in the church Pirates production, is playing the maid in this. She arrived for rehearsal and I got her to take some pictures for me. (She was awesome--thanks Lisa!)
Tony the carpenter.
Kevin and Royce hang backdrop panels.
Everything came together just beautifully. Noel Koran, the general director, told me it's the best-looking set they've had. I told him how much I enjoyed working on it, and he said, "Well, it won't be the last time, if I have any say in it." I would love to make this a regular thing. (They only do three productions a year, and the next one is Madame Butterfly, which they've done before and already have a set for, but there will be more in the future.) The hours were kind of hard on my family, so it's probably a good thing that I'm not running off and painting all the time! I'll have to ask Doug if he's up for it again. He's been a great support through all this.
Here are some rehearsal photos where you can see the set in various stages of completion. (I ended up taking out that red railing in the background--it just didn't look right.) Can't wait to see the performance!
Friday, December 27, 2013
It's birthday-birthday day! Can you believe we have a nine-year-old and a five-year old now? How the time flies.
We made birthday pancakes and birthday pizzas, but for the cake we decided to go the slab-o'-panettone route again--easy, ready to hand, and nicely photogenic!
And hey, I finally found out how to get rid of those green reflection spots that have been plaguing my birthday candle photos--take the (cheap) UV filter off my lens. Ta da! No more green spots!
This should be exciting!
We got Andy a couple of Elephant and Piggie books (always a hit). He was so cute--he had to finish reading this one before we could get him to open the other. (Yes, I know, he needs a haircut in the worst way.)
We went to Odyssey with Kate's friend Emma, and then came back and made individual pizzas. I got the crusts ready ahead of time and baked them for about five minutes (my moment of brilliance), and when we got back they were waiting to be decorated and popped in the oven again.
Right as Emma was leaving the sister missionaries stopped by (just door-knocked into us), so they came in and visited for a while. They looked at some of Kate's drawings and read a book with Andy, which was great fun. Andy stage-manages everyone into reading in parts. (I was Piggie.)
We sure love these kids. We've had some big adjustments as a family, and they've both grown so much this year.